Rome

Italians are very fond of their landmarks; in order to make them accessible to everyone one week a year there is no charge for admittance to all publicly owned landmarks and historical sites. This week, known as "La settimana dei beni culturali", typically occurs in mid-May and for those 7 to 10 days every landmark, archaeological site and museum belonging to government agencies including the Quirinale presidential palace and gardens, the Colosseum and all of the ancient Forum is accessible and free of charge. For more information and for specific dates see (http://cityzeum.com/en/gu...) or (http://beniculturali.it/).

You are able to buy full day passes for €12 or a 3-day pass for €23not up to date. This pass gets you in to the Colosseum Colosseo, Palatine Hill Palatino Hill, the Baths of Caracalla Terme di Caracalla, and the catacombs as well as the Terme di Diocleziano, Palazza Massimo alle Terme, Crypta Balbi, Palazzo Altemps, Villa dei Quintili, and the Tomb of Cecilia Metella.

museums

If you are in Rome for the Arts there are several world-class museums in the city. The natural starting point is a visit to the area of Villa Borghese in Campo Marzio, where there is a cluster of art museums. Galleria Borghese houses a previously private art collection of the Borghese family, Museo Nazionale di Villa Giulia is home of the world's largest Etruscan art collection, and Galleria Nazionale d'Arte Moderna houses many Italian masterpieces as well as a few pieces by artists such as Cézanne, Degas, Monet and Van Gogh. The Capitoline Museums in the Colosseo district opens their doors to the city's most important collection of antique Roman and Greek art and sculptures. Visit the Galleria d'Arte Antica, housed in the Barberini palace in the Modern center, for Italian Renaissance and Baroque art.

A visit to Rome is not complete without a trip to the Vatican Museum. You need to go to the museum if you want to see the Sistine Chapel, but there is an enormous collection. You cannot miss part of this, such as tapestries, maps and the rooms painted by Rafael, as they are en route to the Sistine Chapel, but there is much, much more to explore, including a stunning Egyptian collection, and the Pinacoteca, which includes a Portrait of St. Jerome by Leonardo Da Vinci and paintings by Giotto, Perugino, Raphael, Veronese and Caravaggio, to name just a few.

Rome's National Museum at the Baths of Diocletian in the Modern Center has a vast archaeological collection as does the national museum at Palazzo Altemps, close to Piazza Navona. Further afield, the Museo di Civilta Romana Museum of Rome's Civilization, in EUR is most famous for an enormous model of Imperial Rome, but also has an extensive display of plaster casts, models and reconstructions of statues and Roman stonework.

If you have plenty of time there is absolutely no shortage of other museums covering a wide variety of interests. Examples include the Museum of the Walls see Rome/South, the Musical Instrument Museum and a museum devoted to the liberation of Rome from German occupation in the Second World War Rome/Esquilino-San Giovanni.

Check museum opening hours before heading there. Government museums are invariably closed on Mondays, so that is a good day for other activities. The Rome municipality itself operates some 17 museums and attractions. Info at (http://en.museiincomunero...). These are free to European Union citizens under 18 and over 65. Web sites for other museums are listed on the relevant District pages.

ancient rome

The main area for exploring the ruins of ancient Rome is in Rome/Colosseo either side of Via dei Fori Imperiali, which connects the Colosseum and Piazza Venezia. Constructed between 1931 and 1933, at the time of Mussolini, this road destroyed a large area of Renaissance and medieval buildings constructed on top of ruins of the ancient forums and ended forever plans for an archeological park stretching all the way to the Appian Way. Heading towards the Colosseum from Piazza Venezia, you see the Roman Forum on your right and Trajan's Forum and Market on the left. To the right of the Colosseum is the Arch of Constantine and the beginning of the Palatine Hill, which will eventually lead you to ruins of the Flavian Palace and a view of the Circus Maximus see Rome/Aventino-Testaccio. To the left, after the Colosseum is a wide, tree-lined path that climbs through the Colle Oppio park. Underneath this park is the Golden House of Nero Domus Aurea, an enormous and spectacular underground complex restored and then closed again due to damage caused by heavy rain. Further to the left on the Esquiline Hill are ruins of Trajan's baths.

In Old Rome you must see the Pantheon, which is amazingly well preserved considering it dates back to 125 AD. There is a hole constructed in the ceiling so it is an interesting experience to be there when it is raining. If you are heading to the Pantheon from Piazza Venezia you first reach Largo di Torre Argentina on your left. Until 1926 this was covered in narrow streets and small houses, which were razed to the ground when ruins of Roman temples were discovered. Moving along Corso Vittorio Emmanuelle and crossing the Tiber river into the Vatican area you see the imposing Castel Sant' Angelo, built as a Mausoleum for the Emperor Hadrian. This is connected by a covered fortified corridor to the Vatican and served as a refuge for Popes in times of trouble.

South of the Colosseum are the Baths of Caracalla Aventino-Testaccio. You can then head South-East on the old Appian Way, passing through a stretch of very well-preserved city wall. For the adventurous, continuing along the Appian Way Rome/South will bring you to a whole host of Roman ruins, including the Circus of Maxentius, the tomb of Cecilia Metella, the Villa dei Quintili and, nearby, several long stretches of Roman aqueduct.

Returning to the Modern Center, the Baths of Diocletian are opposite the entrance to the main railway station, Termini. The National Museum of Rome stands in the South-West corner of the Baths complex and has an enormous collection of Roman scultures and other artifacts. But this is just one of numerous museums devoted to ancient Rome, including those of the Capitoline Hill. It is really amazing how much there is.

just walking around

Much of the attraction of Rome is in just wandering around the old city. You can quickly escape from the major tourist routes and feel as if you are in a small medieval village, not a capital city. If you can do so while watching for uneven cobblestones, keep looking upwards. There are some amazing roof gardens and all sorts of sculptures, paintings and religious icons attached to exterior walls. Look through 2nd and 3rd floor windows to see some oak-beamed ceilings in the old houses. Look through the archway entrances of larger Palazzos to see incredible courtyards, complete with sculptures, fountains and gardens. Take a stroll in the area between Piazza Navona and the Tiber river in Old Rome where artisans continue to ply their trade from small shops. Also in Old Rome, take a 1km stroll down Via Giulia, which is lined with many old palaces. Film enthusiasts will want to visit Via Veneto Via Vittorio Veneto in the Modern Center, scene for much of Fellini's La Dolce Vita.

catholic rome

There are more than 900 churches in Rome. Probably one third would be well worth a visit!

In Catholic tradition, St. Peter is said to have founded the church in Rome together with St. Paul. The first churches of Rome originated in places where early Christians met, usually in the homes of private citizens. By the IVth Century, however, there were already four major churches, or basilicas. Rome had 28 cardinals who took it in turns to give mass once a week in one of the basilicas. In one form or another the four basilicas are with us today and constitute the major churches of Rome. They are St Peter’s, St Paul’s Outside the Walls, Santa Maria Maggiore and San Giovanni. All pilgrims to Rome are expected to visit these four basilicas, together with San Lorenzo fuori le mura, Santa Croce in Gerusalemme, and the Sanctuary of Divino Amore. The latter was inserted as one of the seven at the time of the Great Jubilee in 2000, replacing San Sebastiano outside the walls.

Take a look inside a few churches. You'll find the richness and range of decor astonishing, from fine classical art to tacky electric candles. Starting with several good examples of early Christian churches, including San Clemente and Santa Costanza, there are churches built over a period of 1700 years or so, including modern churches constructed to serve Rome's new suburbs.

Some churches in Rome deny admission to people who are dressed inappropriately. You will find "fashion police" at the most visited churches. "Knees and shoulders" are the main problem - especially female ones. Bare shoulders, short skirts, and shorts are officially not allowed, but long shorts and skirts reaching just above the knee should generally be no problem. However, it's always safer to wear longer pants or skirts that go below the knee; St. Peter's in particular is known for rejecting tourists for uncovered knees, shoulders, midriffs, etc. You also generally won't be told until right before you enter the church, so you will have made the trek to the Vatican and stood in a long security line for nothing. The stricter churches usually have vendors just outside selling inexpensive scarves and sometimes plastic pants. But relatively few churches enforce dress codes and you can wander into most wearing shorts, sleeveless shirts, or pretty much anything without problems. It is, however, good to keep one's dress tasteful, as these are still churches and houses of prayer for many people. Older Romans might comment on your attire and perhaps harass you if it is particularly revealing.

the seven hills of rome

To the modern visitor, the Seven Hills of Rome can be rather difficult to identify. In the first place generations of buildings constructed on top of each other and the construction of tall buildings in the valleys have tended to make the hills less pronounced than they originally were. Secondly, there are clearly more than seven hills. In Roman days many of these were outside the city boundaries.

The seven hills were first occupied by small settlements and not recognized as a city for some time. Rome came into being as these settlements acted together to drain the marshy valleys between them and turn them into markets and fora. The Roman Forum used to be a swamp.

The Palatine Hill looms over Circus Maximus and is accessed near the Colosseum . Legend has it that this was occupied by Romulus when he fell out with his brother, Remus, who occupied the Aventine Hill on the other side of the Circus. Also clearly recognisable as hills are the Caelian, to the southeast of Circus Maximus and the Capitoline, which overlooks the Forum and now hosts the Municipality of Rome. East and northeast of the Roman Forum are the Esquiline, Viminal, and Quirinal hills. These are less easy to distinguish as separate hills these days and from a distance look like one.

The red line on the map indicates the Servian Wall, its construction is credited to the Roman King Servius Tullius in the Sixth Century BC, but archaeological evidence places its construction during the Fourth Century BC. Small bits of this wall can still be seen, particularly close to Termini railway station and on the Aventine hill. As Rome expanded new walls were required to protect the larger area. These were built in the Third Century AD by the Emperor Aurelian. Lengthy sections of this wall remain all around the outskirts of Rome's center. Much is in very good condition.

Among other hills of Rome, not included in the seven, are that overlooking the Vatican; the Janiculum overlooking Trastevere, which provides excellent views of Rome; the Pincio on the edge of the Borghese Gardens, which gives good views of the Vatican, and the Monte Mario to the north.

the piazzas

The narrow streets frequently broaden out into small or large squares piazzas, which usually have one or more churches and a fountain or two. Apart from Piazza Navona and Piazza della Rotonda in front of the Pantheon, take in the nearby Piazza della Minerva, with its unique elephant statue by Bernini and Piazza Colonna with the column of Marcus Aurelius and Palazzo Chigi, meeting place of the Italian Government. On the other side of Corso Vittorio Emanuele are Piazza Farnese with the Palazzo of the same name now the French Embassy and two interesting fountains and the flower sellers at Campo dei Fiori, scene of Rome's executions in the old days. All of these squares are a short distance from each other in Old Rome. The enormous Piazza del Popolo in the North Center, which provided an imposing entrance to the city when it represented the northern boundary of Rome, is well worth a visit. A short walk back towards the center brings you to Piazza di Spagna at the foot of the Spanish Steps. Yet another fascinating fountain here. The area was much used as backdrop for the 1953 film Roman Holiday with Audrey Hepburn and Gregory Peck.

On the other side of the river is, of course, the magnificent square of St Peter's at the Vatican. Further south, in Trastevere is Piazza Santa Maria in Trastevere, a great place to watch the world go by, either from one of the restaurants or bars that line two sides of the square or, if that is too expensive, from the steps of the central fountain. The square attracts many street entertainers.

Moving back to the Modern Center you have to see the Trevi Fountain, surely a part of everyone's Roman holiday. Visitors are always amazed that such a big and famous fountain is tucked away in a small piazza in the middle of side streets. Take extra-special care of your possessions here. Further up the Via del Tritone you will come to Piazza Barberini, now full of traffic but the lovely Bernini fountain is not to be missed.